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(Although we could all watch a close-up of those for two hours and consider it money well spent.) And it's certainly not just about Cate Blanchett's cheekbones. Carol isn't just a stand-alone piece it's the latest in a tradition of lesbian cinema across the world, one that has changed and shifted according to societal mores and the history of film itself. But fully appreciating the real depth of the film, at least from a historical perspective, needs a little research first.
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Also, follow Adam on Twitter to keep up to date with his numerous creative endeavors.If you're a lover of period pieces, lesbian romance films, or just gorgeous cinema, you're likely planning to spend part of this December catching the new Todd Haynes movie Carol, where Cate Blanchett and Rooney Mara play lovers in sumptuous 1950s New York. Be sure to throw a few shekels in his vimeo tip jar and help the project get made. Speaking of which, Baran is attempting to develop a feature version of Jackpot, which he workshopped at the Outfest Screenwriting Lab in 2010. This is a tight, perfectly paced film-something that feels whole on its own right, but also makes sense as a teaser for a larger project. At a brisk 9 and a half (including credits!), Baran manages to tell a complete, satisfying story, filled to the brim with heart, humor, and enough outlandish costumes to make the Village People blush. While sometimes a longer short film is warranted, 9 times out of 10, every “long short,” I’m sent could stand to be cut by several minutes.
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As a short film curator, I’m constantly sent films over 20 minutes. Folks, to be blunt, this is how you do it. But, beyond the technical excellence, I do want to hang a lantern on this film’s pacing. Ethan Navarro is sterling as the lead, never falling into stereotypical portrayals or mannerisms. Visually, the film looks sharp and the performances are excellent. It’s also about how our erotic materials help gay men understand who they are - even if sometimes it leads them to form the wrong impressions about what sex is actually going to be like.” It’s hard to keep running away from the problem, even if you do need to keep yourself safe. The message that the character learns, at the end, is the message I wish I could go back and tell myself at that age - sometimes it’s better to stay and fight even if you don’t win. As Baran related to the Huffington Post, “”The film was shot in my hometown, in my bedroom, and in a parking lot where I was bullied myself. With this film, Baran isn’t telling a story of a teen pining for someone to love, but rather, it’s about that teen learning to love himself (in both the sweetest and naughtiest interpretations of that phrase). So often are nostalgia stories reserved solely for the awkward, dweeby dude lusting after the girl of his dreams (think Can’t Hardly Wait). But, constantly being bullied and teased based on your sexual preference? That’s got to be downright unbearable. Yet, Jackpot’s story is one that is rarely told-a comedic tale of a homosexual teen learning to come to terms with his sexuality and how it defines him as a person. There’s no denying that the “coming-of-age” story is a crowded sub-genre (at Short of the Week we’ve recently featured several). Needless to say, relief isn’t easy to come by (pun not intended, I swear).
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It’s 1994 and Jack’s 13 year-old hormones are a raging. Well, things are even tougher for Jack Hoffman (*snickers*), the protagonist of Adam Baran’s stellar coming-of-age short, Jackpot. Shannon Tweed made me the man I am today. Remember back in the day-pre-internet-when porn was actually…you know…hard to find? We adolescent boys sure had it rough-staying up late to catch the briefest glimpse of the female form on Skinemax.